WTOC 1984: The Coronation of Poppea
After the success of the previous season’s La calisto, the Company mounted another baroque opera at The Barns in July 1984 – Monteverdi’s Coronation of Poppea. With its numerous roles, it was a wonderful vehicle for the resident ensemble of young artists.
The cast boasted now-General Director of Fort Worth Opera Darren Keith Woods as the nurse Arnalta. (Sadly, I could find no photos!)
*
*
Being Selfish
It’s difficult but necessary to distance myself from the music I love – to be fair and impartial when approaching possible rep for the company, and not to steer us exclusively toward things that speak to me. For no one’s taste is truly catholic, and there are plenty of operas that I can barely abide (and no, I won’t tell you what they are:)) that other folks adore.
But once a piece is up and running and my contribution is reduced to that of taking the blame or credit for what other folks lay at my feet, I can be selfish. In this case, that means taking in every moment – elegant, gutsy, wrenching, and bawdy. Because Monteverdi is in my top ten. Hell, top five. I’d give up a lot just to be able to hear this stuff the rest of my life. Gary Wedow has worked miracles, concocting an approach that honors both the letter and the spirit of the law and the music.
And, we’ve waded into doing scenic design with projections. A scary thing in a small venue with a smaller budget. But the design team (Eric Allgeier, S. Katy Tucker, Andrea Huelse & Bob Grimes) and director James Marvel have created a visually arresting and wonderfully integrated environment for this story.
Three more times in the next 5 days. It doesn’t get any better than this :)
Pre-Tech Ulysses
Ulysses finishes up its time in the rehearsal room.
At left, a composite from this week’s artist panel.
Costume shop supervisor Sue Chiang shared sketches and fabrics for this show’s amazing range of everything from leather to gauze. (Can’t wait to share production photos with you…)
Conductor Gary Wedow talked about the quasi-democracy that is working with a terrifically talented and independent group of early music specialists.
Cast members Chad Sloan (Ulysses’ son Telemaco), Rena Harms (the old nurse Ericlea) and Jamie Barton (Ulysses’ wife Penelope) filled us in on everything from ornamentation to barbeque.
Final Designer Run – Photos



